Have you watched The
Fosters?
It is a family oriented show for modern families which
debuted on what was ABCFamily in 2013.
It’s now one of the flagship series for Freeform, the latest incarnation
of what started as the Family Channel back in cable’s hayday.
I remember the buzz about it. I hadn’t looked into it too much. But because I knew a lot of people connected
with the foster system I thought I would check it out. So, picture it: The premiere episode. We meet a lesbian couple—a white cop and a
biracial educator from a charter school—Brandon, the biological son of the cop,
who, by the way, is still working with her ex-husband, the father of her child,
on the police force, and the couple’s two adopted Latino children. Jesus and
Mariana. Then we meet Callie, a child
they literally rescue from the absurdity of a foster system that has grown so
large and so underfunded. Eventually we
meet Callie’s brother, Jude, who falls in love with one of his athletic
classmates at the charter school and begins to identify as gay.
Like I said: A family
oriented show for modern families.
It was a dynamic premise for a forty something minute TV
series. There was always something going
on relationship-wise with the kids, parenting-wise for Steff and Lena (the
couple who have taken responsibility for this brood), and identity-wise for
everyone. The show has dealt with topics
such as racism, addiction, sexuality, faithfulness, healthy boundaries, mental
health, cancer, and…religion.
This poor family has dealt with more in three years than
many families deal with in eighteen.
And that’s where I’ve kind of settled on the show this
season. It just seemed that everything
the writing team was throwing at the family was just too much. Not unbelievable
because everyone watching could identify with the struggles and challenges. It was just becoming overwhelming. I began to be
afraid that either the writers had committed characters to storylines that were
becoming weights around the neck of the show or…worse, they were trying to be
too many things to too many people and failing everyone in the process. This is why TV shows have “bibles” that set
boundaries on characters and possibilities.
To me, this season has felt less like a family oriented show
for modern families and more like a telenovela of the Mexican variety: Entertaining but way over the top in
storyline and dramatic presentation.
But then they aired the season finale last night and I
remembered why I was first drawn to this show.
So after a season of melodramatic storylines, a painful
episode featuring the culmination of a story arc about a Romeo and Juliet musical written by writers who had apparently
never read Romeo and Juliet, and a
few plotlines that seemed to go on and on like this current election cycle, driving
us to a point where we really don’t care about Callie and Brandon and their
poor boundaries….we’re punched in the gut with the reality of the foster care
system: Kids being placed in homes that
are unqualified to take care of kids and in which the kids end up dead.
This affects Jude profoundly because right before we learn
that Jack, the foster kid who we’ve gotten to know this season, was murdered by
the same foster father who had abused Callie and Jude, we see Jack kissing
Jude. Jack later confides in Callie that
he felt it was a mistake because he’s not attracted to Jude because he, Jack,
is straight. Jack never has the chance
to confess this to Jude.
So the episode opens with a funeral/prayer service/informal
gathering on the beach where Jude is delivering a sermon/eulogy. This caught my interest right away because it
was actually thoughtfully done and the words Jude was using to commend Jack to
God’s care were words I’ve heard too many times in real funeral services. This polished eulogy was coming from someone
who has never really struggled with religion in the show’s run. Jude has never explored it, questioned it,
struggled with it. But his sermon was
spot on theologically. In real life, if
Jude was an actual person, one could clearly see that he was taking this
seriously and had committed a great deal of thought and research to his
reflection.
So, as a student of religion and theology as well as
psychology, I’m turning this scene over and over in my head for the rest of the
episode. I’m wondering where it came
from and where it could be going because it was
so unpredictable in a show that has become too predictable this season.
Fast forward to the last ten minutes of the show or so. So, yeah, if you haven’t seen the episode and
don’t want to know anymore, maybe you should stop reading now. This is your warning.
Through the episode we see Jude talking with one of his
female classmates and friends. At one
point we hear Jude expressing that maybe he’s not into guys. Which, of course, the friend picks up on
right away since she’s been crushing on Jude for about two seasons now. But toward the end of the show we see Callie
confronting Jude on his interest in the female friend. Callie is confused because Jude has
identified as gay pretty much since they came to this foster home which ended
up adopting them. Jude’s response?
“Maybe I’m not supposed to be gay. I’ve loved two guys and God has taken them
both away.”
I don’t know how other people heard that line but this is
how I heard that line. “I loved a guy
named Connor and he moved away and our relationship ended. I was falling in love with a guy named Jack
and he was murdered. I’m going to
interpret this as a sign. Maybe God is
trying to tell me I need to get back on the straight
path.”
I
write about this a lot. We story the events in our lives in an
attempt to make sense of the things that we can’t explain. When it comes to tragedy, as a rule, people
will cite providential intervention as the reason things happen. They will interpret that intervention as
meaning this or that. It’s how the
individual copes. I know that.
But here’s what I also know.
My theology informs me that God does not cause horrible things to
happen. God doesn’t need to. Human beings do that well enough on our
own. God didn’t kill Jack in The Fosters. The broken system operated by human beings
killed Jack. God certainly doesn’t
punish people; that’s superstitious bullshit that should have died out with
witch trials. And God does not take people away from us or
tear people away tragically to give us a message. (I'm mentioning this in the middle of this review of The Fosters because I can't seem to stop reminding people of these important truths--especially a community and a subset of a community who tend to be victimized by such backward Christian nonsense.)
All of a sudden my interest in The Fosters has returned.
What sucks is that it’s from one of the most realistic characters that
we don’t get to see too much of because of all the “kids” on the show the actor
who portrays Jude is a kid and child
labor laws impact his storylines. But
this is what The Fosters needed, I
think. A step away from the
over-the-top-never-going-to-end drama of Callie and Brandon, or Jesus and his
search for identity which, with a new actor, focused in a direction the
character has never looked before (namely his birth father), or Mariana and all
her teenage girl drama.
Once again the show comes back to Jude.
I don’t know where the writers are going to go with this but
it’s pretty clear that in the time that passed between the horrible episode
featuring Romeo and Juliet: The Musical
and Jack’s tragic death and the season finale with the appearance of Preacher
Jude, someone has obviously influenced Jude’s thinking on sexuality and
God. I really hope this is explored more next season because these are
very real issues younger folks in the LGBTQ community struggle with. I think that’s where they’re going
considering the kiss Jude shares with his female classmate and the weird smile
he has on his face afterwards.
What do you
think?
Share it forward!
Follow me on Twitter
@TroyComets
No comments:
Post a Comment