There are a lot of things I know I should like but I just
can’t bring myself to liking.
A couple of years ago I confessed to one of my aunts that I
can’t make myself like The Beatles. I
feel like I’m supposed to like The Beatles.
I recognize that The Beatles are iconic because they revolutionized music. They pushed the envelope and did things that
hadn’t been done before. The energy that
they created around themselves was endemic and infectious. Some people would argue that Beatles lyrics
are some of the best lyrics ever composed.
I identify all of this and I respect all of this but I just can’t bring
myself to like The Beatles.
Here’s another example.
I love movies that are crafted well and tell character driven
stories. We don’t get to see many of
these in our local theatres anymore because of how formulaic Hollywood has
become; they know what sells and so they create products that sell rather than
art that speaks and lives. So, if I say
that I like artistic movies and avoid the mass produced and highly predictable
dross that flows from the major production companies, you would think I would
like classic movies, right? Wrong. I can’t stand so called classic movies. Case in point: Every Christmas season I struggle with the
people in my life that need to watch “It’s a Wonderful Life” and “Miracle on 34th
Street” because these “classic” movies speak to a human condition that seems to
be front and center during the holidays.
Again, I know I should like these movies and movies like them but I just
can’t bring myself to actually liking them.
Now all of that isn’t to say that I find nothing of use to
me from the artists behind these mediums.
I can appreciate a moving lyric from a Beatles song or a line from a
film that resonates with something inside of me. I’ll find comfort and challenge from these
things but I just can’t bring myself to be a stalwart supporter or diehard
fan.
More often than not I’ll find a better connection with the
individual apart from his or her art.
John Lennon just talking off the cuff, for instance, is more likely to
get a reaction from me than any carefully crafted composition.
Well…maybe John Lennon isn’t the best example. To be honest I can’t call to mind anything he
ever said in an interview that seemed to have stuck with me.
A better example would be the Italian film maker Federico
Fellini. If you aren’t familiar with his
name or his work (films like “La Dolce
Vida”) you might be able to recognize him from his infiltration into
popular culture. The illustration which immediately
comes to mind is the 2003 novel turned film “Under the Tuscan Sun” starring
Diane Lane. One of the characters in the
film (Catherine, played by the indomitable Lindsey Duncan) was greatly
influence personally and philosophically by Il
Meastro.
One of the things that film maker Fellini said apart from
his work as a film maker that even
makes an appearance in “Under the Tuscan Sun” is this quote: “Regrets
are a waste of time. They're the past crippling you in the present.” I like this quote not because of what it says
but because of what it made me think.
I think this quote is an over simplification. If Fellini was alive and working today I
might try to accuse him of employing bumper sticker philosophy or selling out
to the soundbite culture. It’s a catchy
comment that feels true but I think it’s actually a statement that doesn’t really
consider the psychology of the word “regret” and how I think it can and should
be used in our day to day lives.
Now that I’ve accused FeFe
of an oversimplification, let me make one of my own.
I think there are fundamentally two types of regret. The first type is the regret we feel when we
do or say something and almost immediately realize that that wasn’t the thing
to do or say. I remember when I was
growing up and my extended family had gotten together for dinner and games and
just spending time in each other’s company.
A skiing trip was being planned and I had absolutely no interest in
it. My aunts and uncles were trying to
convince me to come along going so far as to point out that skiing was how my
one uncle met his at-the-time-fiancee. I
immediately commented that if that was the case I definitely wasn’t interested
in going. As soon as I said it, the
words I thought would be funny, rang in my ears and sliced deep into my
pride. I had shot my mouth off without
even thinking. I immediately regretted
the words.
The second is the regret that we feel over something we have
absolutely no control over. It’s that
thing that we did in that past, maybe born of good intentions, that unfolded in
a way that we could not have predicted or foreseen, that complicated our lives
and/or the lives of the people around us.
This is the regret we feel over words or actions that were said or done
with the best of intentions based on the information at hand. It’s typically the regret we feel as we grow
older or information becomes more available or knowledge becomes more
reliable.
I think this is the regret we feel as a whole when we think
about things like slavery and colonialism.
It’s the regret that many of us
in the LGBT community feel when we look back on our lives, having made the
decision to keep our identities hidden because, based on the information we had
at the time, it was the only viable option.
We become trapped by those choices and the lives that we create around
them. We eventually fear the damage that
could be done if we tried to correct these mistakes.
I also think it’s this second type of regret that Fellini
was referring to when he commented that regrets are the past crippling us in
the present. The first type of regret
will definitely make us feel stupid and stir up feelings of remorse and shame,
but I think it’s this second type of regret that can become so guilt ridden
that we end up causing ourselves problems by carrying it around with us.
I believe that emotions like guilt and shame and regret,
when understood properly, are important tools in our journey of becoming. We experience emotion to tell us when
something is right or wrong, joyous or frightening, off-kilter or copacetic. What
is more is that it usually takes time to gain perspective and objectivity with
regard to choices that create feelings of regret of both kinds. Sure there are those moments (like the example
I just gave involving my uncle and his (now) wife) when you open your mouth to
realize you’ve got some toe jam stuck in your teeth but usually regret is looking at your past and realizing
how stupid some of the things you’ve said and done actually are. More importantly, regret is looking at your
past and understanding why some of the things you’ve said and
done probably weren’t the best choices you’ve ever made. This understanding piece is so incredibly
critical; without the understanding of why and without asking yourself
questions to uncover the why you’ll never be able to learn and grow from the
uncomfortable experience. You’ll be
stuck in that past and needlessly carrying the weight of that regret around
with you into the future.
Unlike Fellini seems to be indicating in his statement, I
don’t believe that regrets cripple us in the present unless we let them. If we choose not to address them, ask
ourselves questions about them, and become okay with the answers we discover,
we will be burdened with them. Otherwise
it’s like everything else in our lives when we gain some distance in time and
are able to be objective: We look for
the patterns and themes and take those lessons forward so that we become better
people.
When you read a book, the author will typically establish
certain “givens” that you have to accept to make the story move forward. You can wonder about some of these givens,
what certain characters were thinking when they made certain choices or why
this fictional world works the way the author says it does but in the end, if
you want to move on with the story, you have to come to accept these givens and
then look at how these givens affect the story.
It’s the same with our individual lives as we consider our
own stories. Particularly with that
second form of regret that is so much more complex than the first. When we look at our lives and the bad things
that happen to us and sometimes, more importantly, the bad things that we do to
ourselves, we struggle to make sense of things.
We can and we should ask ourselves why we did these things and how we ever
thought they would be okay but at the end of the day we have to take our
lessons and move on. We have to accept
the “given” of the event and say to ourselves, “That’s just the way it is. I can’t change it. So how is it going to affect my story?”
My 2016 self, with its knowledge and experience and
perspective, can literally stand here and scream at my 1980’s self and my 1990’s
self about decisions I made which ignored the needs of my identity but at the
time, in that time with the information
available to me, it was the best and only decision I could make. Of course I know better now, as we all do,
but I can’t live in a place where I am constantly berating myself for the
stupidity of that decision. I can’t live
in a place where I allow the guilt and the shame of choices like these to
consume me. In the end these choices
become givens in the story of my life. I
cannot allow myself to be continuously victimized by choices I made in good
faith at the time that set me up for future problems. And more than that, it’s not just about
me. The regret I feel becomes all the more
poignant when I consider how those choices have affected and will affect the
people around me, the people I care most about.
If I chose not to allow these choices to become givens after exploring
the regret they have generated after time has passed and more knowledge is
gained, I would never be allowed to move forward with my story let alone my
life.
Regrets don’t necessarily have to cripple us in our present
unless we give them that much power.
With all due respect to Federico Fellini, regret is an opportunity to
learn from the past to empower us in our present if we choose to ask the critical questions and incorporate even the
most uncomfortable of answers into our stories.
It’s hard and sometimes painful work but knowledge, like anything of
value, should never come easy.
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